
Summer 2024
In 2024, we connected our group of 15 young filmmakers with five local musical acts showcasing a radical spread of genres: from lo-fi folk-punk, live looped soulful blues, and Southern gothic jazz, to wistful country western, and ambient tunes played on video game controllers.
We matched each production team with a musician and challenged them to produce a film inspired by one song.
While the song had to be played in full, there were no other rules. Traditional performance-based music video treatments were welcome, but frame narratives, diegetic sound, and other experimental approaches were encouraged.
Throughout the week, we learned about the long history of the “music film,” met with local filmmakers like Tom Lenard and Joseph Talerico, were supported by 17 different adults who taught us about film craft, shared career advice, and chauffeured us around the city in order to get our projects across the finish line.















• THE MUSICIANS
• THE MUSICIANS
The Secret Sounds
How would you describe the sound and spirit of your music?
Brennen: James Bond drinks a scotch / Dracula owns a jazz club / A ghost wails on the Delta.
Britt: Stars of jazz and screen / Legends with voices that soar / Timeless talent shines.
How did you first fall in love playing music?
Brennen: My dad and uncles all played guitar and wrote songs. I spent my early childhood surrounded by music. When I was around 13, all the kids I was playing D&D with started playing instruments and we seamlessly transitioned into a different kind of nerdery. We played music together almost every weekday afternoon for years. I still play D&D.
Britt: I have enjoyed singing since I was in High School. During the COVID pandemic I started using a karaoke app called Smule. You can sing with people from all over the world without leaving your bedroom. It really helped me to develop my signature sound as a singer. In 2021 I moved to Opelika and decided that I wanted to really persue being a jazz singer. I made a post on Facebook looking for a guitarist that Fall. That is how I met Brennen.
What is one album, one book, and one movie that has influenced you as an artist?
Brennen: Raindogs by Tom Waits; Wise Blood by Flannery O'Connor; Suspiria by Dario Argento
Britt: Back to Black by Amy Winehouse; Lady Sings the Blues by Billie Holiday and William Dufty; Moulin Rouge by Baz Luhrmann
What is a habit that you'd recommend to a high schooler interested in pursuing a creative life?
Brennen: Choose the media you consume to feed your art by filling your head with ideas. You can find books, music, and movies that will entertain you, but will also challenge and inspire you. Always work on your art every day. Strive to be just slightly better than you were the day before. Reading voraciously on a wide range of subjects is absolutely necessary if you want to tell good stories. Pretend you are a vampire. Books are your food. Your power is art.
Britt: Don't listen to people that tell you need a 9-5 job. Chase your dreams and do what you love!
What is something special about playing music and creating art in Auburn/Opelika?
Brennen: There has been a culture of smart, artsy weirdos in Auburn/Opelika for as long as I can remember. They will support you and collaborate with you. You can make art without the pressures of trying to survive in a major city, but many of the coolest cities in the country are less than a day's drive away.
Britt: I love the support that exists in this community. We are one big artistic family. My life before 2021 was drastically different, and you couldn't pay me enough money to go back.
Caleb etris
Caleb Etris is a multi-instrumentalist born and raised in Opelika, Alabama. He fell in love with music as a toddler when he began playing the drums, which led him to learn the piano, guitar, and bass. At 15, he started singing and composing original music. In 2023, Caleb released his first EP titled ‘May,’ followed by the single ‘Miss July.’ He is continually working on new music and is slated to release another project this year. Caleb enjoys performing in local venues and working in live sound production. His biggest musical and writing inspirations are Jason Isbell, John Prine, Guy Clark, and Dave Matthews.
KATIE MArtin
Katie Martin is a multimedia artist and songwriter based out of Alabama, with a unique blend of blues, folk, and soul that is immediately compelling. She began working with Grammy Award-winning producer Larry Mitchell in 2012 and has since released three albums with him: Purpose (2015), Hope (2018), and Faith (2022). Mixing hand drawings, photography, videography, and prose, each album is paired with a collection of artwork in both the digital and physical realms so that the listener can experience the albums on multiple levels. She is a live loop artist, meaning she composes songs with loop pedals for live performances. She has performed in live looping and songwriting festivals across the United States and Mexico. Katie’s songs have also been featured on the “Women of Substance: Music with a Conscious” podcast. Her refreshing individuality leaves a lasting impression long after the stage has grown silent.
THE OFFICIAL BARD OF BALDWIN COUNTY
The Official Bard of Baldwin County is an up-and-coming musician; originally hailing from the Mobile-Tensaw delta, they're currently based out of Auburn, in part due to their anthropology degree requirements.
Raised in the hot morning dew of southern Alabama yard sales and the powered-sugar dusted walls of their family’s bakery, the Bard makes music to satisfy an eclectic mind. Starting in high-school as the frontman for what was “effectively a Green Day/Misfits cover band”, they are a completely self-taught musician. Despite no formal training, the Bard has wasted no time in exercising their artistic muscles. Fans of lo-fi outsider musicians and folk-punk-revivalists will appreciate their carefully-crafted lyrics and occasional off-key yelps, while the old-time fogeys (and fogeys-at-heart) will enjoy their library of Americana standards. Although a country-goth by trade, the Bard is hard-pressed to stick to a genre for long, incorporating a diverse menagerie of weird instruments and deep-cut tributes. Their queer, high and lonesome lyrics, alongside their frantic, flamenco-punk guitar playing make them an instant favorite for many new fans.
CULTS
How would you describe the sound and spirit of your music?
The spirit of Cults, and everything beyond Cults that I am involved in, is purely based off of a DIY attitude. When I started out doing electronic music, there weren't a lot of tutorials and how-to's readily available. I had to go in and learn everything by myself. And through that, I got everything wrong for the first 8 years of my music career. But in getting things wrong, I found out who I was as an artist and what was important to me. The thing that was the most important fact I learned is this: rules are dumb. How things are perceived as "correct" may not be what you are going for. And that is okay. Rules are meant to be broken, and as an artist, individuality is so important. The spirit of what I do is that of a no-good rule breaker who doesn't care about the rights and wrongs. Happy Accident's are extremely cool as an artist.
Sound wise, this follows suit. I may make a pop song, but it's going to be a pop song like you have never heard before. Same goes with all sorts of genres. The best way to describe the sound of my music is to not describe it at all. What may be electro-pop one day could be southern beatdown and slam the next. Ambient turns into country, and that turns to drum and bass. There are no rules. Create cool stuff you like, the rest will come.
How did you first fall in love playing music?
I was accidentally given an unedited version of a Blink 182 CD called Enema of the State as a young child for Christmas. Through juvenile humor, feelings that I hadn't felt yet in life, and incredible southern California accent's, I was inspired to pick up my first guitar at age 11. Being able to convey emotion through a medium you could give it your all in was important to me at the time, and grew even more important as I grew older. Weirdly enough, there is no Cults without Tom Delonge and his alien theories.
What is one album, one book, and one movie that has influenced you as an artist?
You Won’t Go Before You’re Supposed To by Knocked Loose; Roadside Picnic by Boris and Arkady Strugatsky; The Cell by Tarsem
What is a habit that you'd recommend to a high schooler interested in pursuing a creative life?
Create every day. Whether it is a long project, or a 10 minute exercise, try to create every day. I set creation challenges for myself that I do every day. These can include "try to make a song in 30 minutes", "take 10 minutes and try to make a song in a distinct style or genre", "spend 30 minutes doing sound design from scratch or from samples", and the list can go on. Often times when I am done, I'll listen to it once or twice, and then delete them. The purpose is not to make something to save, although I have saved and released a few songs that started out like this, but to engage in your skills. Always be using them, whether learning a new skill or trying out something new, you will see substantial progress from a daily exercise for a few minutes every day than one big project once or twice a month. This has helped me more than anything.
What is something special about playing music and creating art in Auburn/Opelika?
The people are the most special thing about it, and my favorite. I've made a ton of friends and got hooked into projects and groups that I wouldn't have been involved in otherwise. Meeting other passionate people and sharing your creations with them is one of the best things about being a creative in this area. Not only do you get good critical feedback, but you also get to be exposed to more creatives, people you can learn from and people you can teach to. These friendships are some of the longest friendships I've had, and they are the ones that mean the most to me.











• THE INTERVIEWS
• THE INTERVIEWS
A CONVERSATION WITH…
Olivia Serafini-Sauli
Olivia was raised in Florence, Italy and New York City. She received her undergraduate degree from Georgetown University.
Olivia has worked in film and television for over 25 years. She has produced and directed content internationally for television, commercial and Non-profit organizations including Sundance Channel, AMC Networks and History Channel. As founder of Via 73 Films, she has produced the short films Mary Bauer, On the House (which had its world premiere at the Woodstock Film Festival), A to B, and the award winning 500 Calories. Internationally she has co-exec produced from Italy Susanne and Marcelo, and from UK/Italy Shooting Watermelons.
Olivia is making her directorial debut in 2024 with the feature documentary Endless Calls for Fame, the story of a band in the NYC music scene in the late 1990s. She lives and works in New York City.
A CONVERSATION WITH…
DANIEL EMILIO ORAMAS
Daniel Emilio Oramas is an American Director-Producer and Editor based in Atlanta. He was raised in a Cuban-Dominican household in the American South, which brings an incredibly unique blend of perspectives to his creative influences, vision, and inspiration.
His creative versatility is a key component in bringing projects to life for brands like Jack Daniel’s, Home Depot, Elton John, and many others.
He has led multicultural teams of collaborators across the US, Latin America, and Europe, becoming an expert in low-profile, high-impact shooting. He is bilingual in Spanish and conversational in Italian.
A CONVERSATION WITH…
BROCK HANSON
Brock was a mini-DV kid, growing up making films with friends for fun. His mind was almost literally blown when he discovered careers could be made using these tools, never forgetting the fun so integral to the magic of the medium.
Since those early years he’s followed this fascination working across documentary and commercial projects as a cinematographer and director. He is a visually driven collaborator who has had his projects air on national TV, all over the interwebs, and in an array of film festivals.
Brock is a commercial director at Proper Medium in Atlanta, GA. (www.propermedium.com)
A CONVERSATION WITH…
TARYN GOULD
Taryn Gould is an award-winning documentary filmmaker and editor based in Brooklyn, NY. After Graduating from Syracuse University's Newhouse School, she began her career on the road documenting artists like Lil Mama and The Roots, and filming for Atlantic records. Her work has been shortlisted for an Academy Award, and nominated for a Best Music Film Grammy, an Outstanding Documentary Emmy, and a Critics Choice award. It has screened at Sundance, Tribeca, Berlin, SXSW, Hot Docs, SIFF, IDFA and Locarno and had a theatrical run at Film Forum. It has been featured by the New York Times and Variety, who called her work "movingly intense", and is currently streaming on Netflix, Amazon, and HBO. Her documentaries include Tina (2021, editor), Ram Dass, Going Home (2017, editor, co-producer), Narcissister Organ Player (2018, producer, editor), Susanne Bartsch: On Top (2016, editor, co-producer) and Let's Play Two: Pearl Jam Live at Wrigley Field (2017, editor, co-writer). The most recent film she directed, "All I Can Say", had its world premiere at the 2019 Tribeca Film Festival and won multiple awards at film festivals around the globe. Partnering with Live Nation and Eric Eisner, Oscilloscope released the film in 2020 and it is available to stream on multiple platforms.
A CONVERSATION WITH…
CHRIS HEGEDUS
Chris Hegedus has been directing, shooting and editing films for nearly five decades. In 2002 she was awarded the prestigious DGA Award for Startup.com. Along with D. A. Pennebaker, Chris directed the 1992 Academy Award nominated film The War Room. Other films include two-time Emmy Award winning film Elaine Stritch at Liberty, Emmy nominated Unlocking the Cage, The Energy War series, Town Bloody Hall, Moon Over Broadway, Depeche Mode 101, and Kings of Pastry. Chris is a Governor of the Documentary Branch of the Academy of Motion Pictures.

















CAST + CREW
Student Filmmakers
Evan Clarkson
Katie Forrest
Ryo Hardy
JD Higginbotham
Izzy Kelley
Allie Kloss
David Laurencio
Harrison Lyda
Ada Mulder
Parker Nichols
Mimi Snook
Oscar Strickland
LaDell Towns
Liam Wolter
Wyatt Young
Program Coordinators
Bay Kelley
Mary Wynne Kling
Sam Phillips
Alessio Summerfield
MUSICIANS
Caleb Etris
Cults
Katie Martin
The Official Bard of Baldwin County
The Secret Sounds
GUEST INSTRUCTORS
David Gentry
Andrew Gray
Andrea Kelley
Tom Lenard
Connor Towne O’Neill
Paul Rowe
Joseph Talerico
INTERVIEWEES
Taryn Gould
Brock Hanson
Chris Hegedus
Daniel Emilio Oramas
Olivia Serafini-Sauli
VOLUNTEERS
Carson Barnes
Dean Bonner
Heidi-Annette Carroll
Jimmy Fincher
Simon Shelley
DOCUMENTARIANS
Justin C. Harris
Didimos Johnson
Special Thanks To
David Bizilia
Dough Pizza
Rylan Chapman
The Coffee Shop
Joshua & Keema Dairen
Graham Hague
Katie Klein
Nelson & Shanika Marsh
Rosanna McGinnis
Opelika Fire Station no. 1
Opelika Public Library
Scott & Maggie Phillips
Ernie Rains
Rock N Roll Pinball
Southerly Warehouse
Side Track Coffee
Lynette Strickland
Cory Unruh
The Well
Alicia Williams